Modeling the typical: important, but not enough
Thu, Mar 19, 2009

Instead of engaging in yet another variant of the “which is better, prototype or freelance modeling” – discussion, I’ll go ahead and offer a few thoughts on effective, believable freelancing – an approach we normally call “prototype freelancing.*” For years we were told to “model the typical, ordinary items.” That’s great advice, but it isn’t enough. The other key is repetition. If we have three bridges, for example, we may want to make them the same basic style, to reinforce the fact that there's a railroad engineering department making these decisions, not the latest whimsey of some model railroader who sets out to demonstrate his or her bridge-building prowess with a through truss, a wood trestle, and a stone arch bridge.  

I was taught by an old Chief Gunner’s Mate waaayyy back in naval gunnery school the best way to neutralize a threat was to hit it -- repeatedly -- until it changed shape (or disappeared!)

So it stands to reason that the best way to increase the believability of the free-lanced railroad is to keep hitting the same targets repeatedly -- and a strong sense of time, era, and place are great targets to start with.

Consider this – we’re asking our viewers to take a giant leap -- believing this fake railroad somehow really existed. Each anachronism you have to explain away lessens the believability of the whole. Have you ever heard that the best science fiction has some basis in scientific fact -- albeit theoretical? Free-lance modeling is the same way. Does this mean there is no room for creativity and imagination? Of course not. But we should be aware of the potential mixed messages can have to confuse our viewers.

It's far too easy to fall into a trap of "It's my railroad." Nothing wrong with that of course, but to me that sometimes reads like the historical fiction novels where everyone from George Washington to Lincoln bump into the main character in the middle of the town square.

The rolling stock modeled is another target we can try to hit as much as we can. And not just era appropriate, but rolling stock appropriate for the presumed prototype. Much as I love big articulated steam engines, they didn't run in New England during the time I model so they really have no business on the Southern New England. Sure, I can take the “It’s my railroad, I can do what I want” approach, or create some long story about how the SNE bought some Challengers at the same time as the Delaware & Hudson (a story I seriously considered at one point, so I’m not above temptation.) but I choose not to. Instead I study what other New England railroads had and make choices based on those -- with some of my personal druthers added to the mix.

I've had a number of modelers ask for Southern New England decals over the years so they could include a representative example of a SNE car on their railroad. This is at once tremendously satisfying - after all, each model railroad is an intensely personal creation and their request to share some of my vision in their “art” is personally gratifying - and it's somewhat puzzling to me since I, as a rule, don’t include cars lettered for fictional railroads on the SNE. After all, there’s enough leaps of faith required for people to accept the SNE – I don’t need to add to the confusion with an assortment of fictional cars. 

I don’t participate in massive rolling stock trades with other free-lance railroads despite some offers to do the same since a lot of fictional road names wouldn’t look right. In my world, the SNE and a few others are the ‘fake’ railroads that we acknowledge. It's the same reason all my interchanges are with real railroads. It all helps to reinforce the idea that the SNE is just another element in the real world. I do have a few cars lettered for fictional railroads. I have an OS boxcar (thanks, JD!), and cars from the V&O and AM -- and that’s about it. If I can corner Jack Ozanich long enough I’d love to add an AGE car as well. But these are all railroads of friends, so they’re there for personal reasons.

 Your mileage, of course, may vary.

 Just a few thoughts on a rainy Thursday.

*I’m talking here about prototype freelancing, the art of making a fictional railroad seem as if it really existed. Pure freelancing, engaging in whimsical places, locomotives and trains from all eras, fanciful paint schemes and pun-filled names are all legitimate hobby pursuits but aren’t the type of freelancing I prefer.

 

 

 

 

 

 

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